Then paste it into User Registration dialog box in TrueRTA.AP audio analyzers provide more connectivity options with higher performance specifications than any other analyzer in the world. It is alwaysīest to directly copy the information from your registration email and Registration information is not entered correctly/completely. Reported problems along with suggested solutions. The line mode plots now have a smoother lookĭue to a change in how they are plotted. That allows you to use any response curve as the reference for There is also a new "Relative Mode" feature There is a newĬalibration procedure that removes your sound card's response from Sweep" feature that automatically generates a digital sweep andĪcquires the frequency response with a single click. Now does a second sweep after sound card calibration to show corrected Overhead so it runs better on slower PCs.Īdded a button to select default calibration at the Line In/Out Revised the CPU usage warning dialog that would sometimes not draw rightĭisabled certain commands while Quick Sweep is in progress. Improved scope stability and reduced scope's CPU usage. Sizes and thread priorities to level CPU usage.įaster operation at low sampling frequencies improves very low frequencyĬorrected dB references to consistently refer only to "dBu" This is a major new release with many new Give bogus results if the FFT sizes or input sampling frequencies of The icon and dropping it on the application window. To open a project file by either double-clicking the icon, or dragging Old file types can still be opened but will be savedĭata rather than just the selected range. Saved settings include dB and frequency limits, the MicĬalibration file, window size and position'over application 50 When loaded they completely restore the test setup in addition to the With mixed data from more than one project file.Ĭomplete application setup so that 'test setup' files can be saved and Memory Files (.rt1 file type) to facilitate creating custom reports Update completely when a project file was loaded. While the analyzer runs to allow upper and lower limits to be Points has been increased from 850 to 5000.Ĭompact and is compatible with a broader range of Windows versions. (dBu, dB SPL and crest factor) are now saved with each memory.
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I had also never, ever sincerely liked anything about Scooby Doo. Pokemon wouldn't come to America until the very following week. Nobody I'd ever met had ever had a cellular phone. That's so long ago that I don't think I even owned my first-ever computer at the time. I was fourteen when this movie came out in September of 1998, admittedly with tastes and passions closer to someone around six. Has he been in enough shit yet? Have there been enough reboots? Have there been enough movies? Enough continuities? Does anyone remember when Cartoon Network played so many reruns of Scoobo that people joked it had become the Scooby Network? SHEESH. We kind of kicked that off with the two anime reviews I've done, but nothing REALLY says "cartoons" quite like this damn dog. It's not entirely inappropriate this year marks the fiftieth anniversary of Scooby Doo as a franchise, and I actually had it in mind to do a "cartoons" theme for this year's Halloween. 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While the Golden Age myth became a stock tale among Greek authors, it was a Latin writer, Virgil, who transformed and revitalized the myth at the dawn of the Roman Empire. One or more inferior ages follow, ending with the present “Iron Age,” in which envy, strife, and warfare predominate and the human and divine realms have become estranged. The myth begins in an idyllic past “Golden Age,” identified with the reign of Cronus, when humans lived at peace with others and enjoyed the favor of the gods. Later Greek authors, such as Plato and the poet Aratus, presented their own versions of the Golden Age myth, but the basic scheme remained the same. And shrieking, evil-loving, horrible envy will accompany all miserable humans" ( Op. Father will not be united to children, nor children to father, nor guest to host, and a sibling will not be dear as before …. "They will not cease from toil and misery by day nor from being oppressed at night, and the gods will give them grievous cares …. The descent culminates with a prediction about humanity in Hesiod’s own day, the “Iron Race”: Hesiod then portrays succeeding generations, associated with silver and bronze, as declining from this ideal state. Contented and at peace, they lived off their lands with many good things, rich in sheep, dear to the blessed gods ( Op. All good things were theirs: the wheat-giving earth bore fruit spontaneously, in abundance and without envy. They lived like gods, having a carefree heart, without toil and misery …. They lived at the time of Cronus, when he was king in heaven. "Golden was the race of articulate humans that the immortals who live on Olympus made first. The first, “golden” humans enjoyed a utopian existence: Hesiod presents an overview of human history schematized around different metals. We can observe the basic outline of the Golden Age myth in Hesiod’s Works and Days, where it first appears. Greek and Latin Accounts of the Golden Age Myth Finally, reading these summaries as Golden Age allusions helps to explain why the practice of common property does not reappear in Acts. At the same time, Luke’s use of the Golden Age motif relativizes the power and importance of the Roman emperor in comparison with Christ. By doing so, Luke characterizes the coming of the Holy Spirit as beginning a new age in which the human race will be restored and reunited. Finally, with this background in view, I will argue that Luke’s account of the lifestyle of the early Jerusalem community alludes to this myth. Next, I will review how other Jewish and Christian authors during this period used the Golden Age myth in their own writings. After briefly presenting the myth’s Greek background, I will show how Roman authors developed the Golden Age idea in new ways that made it an important context for understanding the theme of common property in the early Empire. In this essay, I will explore one of the connections that Luke’s readers would likely have made when reading his depictions of common property: the myth of the Golden Age. A further mystery involves the fate of this community of property: why does Luke never mention this conspicuous practice again? The more pertinent interpretive issue, however, is what these descriptions of common property would have brought to mind for first- and second-century audiences. Modern discussion of these verses has often been entangled with contemporary debates regarding communism. In two of these summaries, Acts 2:42-47 and 4:32-35, Luke includes the striking detail that the believers held their property in common: “All who believed were together and had all things in common” (Acts 2:42) “No one claimed private ownership of any possessions, but everything they owned was held in common” (Acts 4:32). In the first few chapters of Acts, Luke gives three summaries of the day-to-day life of the Christian community in Jerusalem. See Also: Common Property, the Golden Age, and Empire in Acts 2:42-47 and 4:32-35(T&T Clark, 2020). Luke seems to have intentionally crafted his accounts to highlight these utopian associations. Given the standard features of the Golden Age and its literary ubiquity in the early Empire, Luke’s portrait of a community that marks the dawn of a new age, a “utopian restoration of the unity of the human race,” and that holds its property in common, lives in remarkable peace and harmony and enjoys God’s favor, could not help but bring this myth to the minds of many of his readers. Xanthe Huynh (Hanayo in Love Live!, Haru in Persona 5, Yuki in Yuki Yuna is a Hero) plays Yui’s younger sister Ui Hirasawa. Laura Bailey (Rise in Persona 4, Lucina in Fire Emblem Awakening, Chun-Li in Street Fighter IV/V) is Yui’s childhood friend Nodoka Manabe. Karen Strassman (Nanako in Persona 4, Aigis in Persona 3, Phi in Virtue’s Last Reward/Zero Time Dilemma) plays teacher Sawako Yamanaka. The side, minor, and recurring roles that are prominently featured in K-ON! include bigger names for the time, but also features names that are more known today. Looking at the performers involved with the show seems like a steal as it would most likely be hard to get this same cast together in 2017, especially when adding in the side characters of the show. Looking at the main cast in 2017, most have gone on to become even bigger in the industry than they were in 2011. It would be very hard to argue that any one of the main characters is characterized wrong as they are all different, have their own strengths and weaknesses, and aren’t one dimensional, which is shown with the direction and acting. All 5 give their character the proper characterization that falls in line with who they are, makes them believable in their performances, and also keep that up throughout both seasons and the movie. Christine Marie Cabanos (Chiaki in Danganronpa 2/3, Hotaru in Sailor Moon, Madoka in Puella Magi Madoka Magica) in one of her first roles as Azusa Nakano helps her be the timid and somewhat shy first year- serious, yet also very caring and who helps bring the band closer from the latter half of Season 1 onwards. Shelby Lindley (Ram in Hyperdimension Neptunia, Hitomi in Puella Magi Madoka Magica) makes Tsumugi Kotobuki not just a somewhat aloof character who sometimes lacks common sense due to being brought up with wealth, but also a girl who also cares deeply for her friends and is eager to learn about them and what they enjoy. Cristina Vee (Monaka in Danganronpa 3/AE, Marinette in Miraculous: Tales of Ladybug and Chat Noir, Rei in Sailor Moon) makes Mio Akiyama’s seriousness and caring for everyone seem realistic, while also allowing her to have a playful side with her friends. Cassandra Lee Morris (Taiga in Toradora, Morgana in Persona 5, Asahina in Danganronpa ) lets Ritsu Tainaka have the tomboyish personality that defines her character while also giving the character the strength that comes with wanting to start a band in the first place. Stephanie Sheh (Usagi in Sailor Moon, Tsumiki in Danganronpa 2/3, Mitsuha in Your Name) brings to life Yui Hirasawa’s drive and determination, along with her airheadedness. One reason why the K-ON! dub works so well is in large part to the casting of the five main characters. Looking at the cast of the dub today, it is clear that the K-ON! dub should be viewed as an all-star cast and perhaps one of the best dubs of the 2010s. The performances of the cast are good on their own and accentuated the show for me in many ways. For whatever reason, I decided upon the Sentai Filmworks English dub of the series (not to be confused with the other English dub that preceded Sentai) and breezed through both seasons and the movie. When I decided to get back into anime in 2013, one show I constantly saw gifs of on Tumblr was of the 2009-2010 series, K-ON!. In reality, it is an absolutely silly fight as you should watch which version you are more comfortable with and will enjoy better. Chun has also long been a collaborator with The Lonely Island.The debate between subs and dubs will rage on until we are long gone. Greg Chun also voiced Ryōji Kaji in the Neon Genesis Evangelion series. According to several critics, Chun, of Korean descent, made a more memorable performance than Takuya Kimura. Apart from Squid Game, Chun has played a pivotal role in several other productions, including the iconic Takayuki Yagami, in the 2018 film Judgment. The fan-favourite protagonist of Squid Game, Gi-hun, has been voiced by veteran voice-over artist Greg Chun. Meet Squid Game's talented English-dubbing cast 1) Seong Gi-hun- Greg Chun That’s something I knew all too well from being stuck in those Korean church services as a kid.” The way Korean religious people, especially pastors, talk is a very specific way of talking. to name a few)Įdward Hong, who voiced the pastor, Player 244, said in an interview, “Korean actors, even if not fluent, can call out something if it’s not right. 36 But you can! Incredible AAPI Casting and some talented voice artists as leads, including the incomparable Greg Chun (Judgement series, Ghost of Tsushima, and Yakuza series. |
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